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Payment on Acceptance vs. Payment on Publication-------------------------------------- You've written an articleand the editor has approved it. Now comes the time to pay you.Well, not quite. Many publications prefer to pay their writerson publication, meaning when the article appears in print. Inestablished magazines, the time between acceptance andpublication can be months, so you may write an article inJanuary, and be paid for [url=http://www.rtnagel.com/louboutin.php]louboutin pas cher[/url] it in June. Always try to get paid onacceptance.
* This article was previously [url=http://www.thehygienerevolution.com/hollister.php]www.thehygienerevolution.com/hollister.php[/url] published onwww.WritersCrossing.com
Reprints ---------- Reprints are articles, essays or pieces thathave already been published. If you own [url=http://www.par5club.com/louboutin.php]louboutin pas cher[/url] the copyright (more onthat later), and want to sell the piece again to anotherpublication, it will be termed as a reprint. Most publicationspay much less for reprints and some don't accept them at all.However, for a freelancer, sometimes reprints bring more incomethan original articles do.
* Anthology Rights: Some publications publish yearly anthologies(collection of articles or stories). In such cases, they ask forthese rights for possible inclusion of your work in theiranthology.
* First-time Rights: Your article must not have appearedanywhere worldwide. You are however, free to sell your workelsewhere after publication.
Simultaneous Submissions -------------------------- Althoughthis is something magazines advise against, it isn't alwaysfeasible waiting three months for your hot idea to strike a notewith the editor you've submitted it to. This is wheresimultaneous submissions come in. Although I truly warn youagainst submitting the same article to more than one publisher(I did it, and I regretted it), I do advocate simultaneousqueries.
Copyright ----------- It's yours as soon as [url=http://www.davidhabchy.com]barbour sale[/url] you have those wordson paper. You don't have to register copyright to claim it,though if you're writing a novel or book, it's a wiseinvestment. Registered copyright is proof enough for a court oflaw, and is extremely valuable in cases of dispute. However, forshort materials like articles or essays, copyright needn't beregistered. You can however, club a number of essays andregister them together.
* Electronic Rights: As more and more publications archive theirarticles online, they are asking for electronic rights. Thismeans that they can carry your article online. Usually atime-period is specified. Also, electronic rights are usuallynon-exclusive, meaning that you can sell this article elsewherealthough it will continue to appear on this publication'swebsite.
* One-time Rights: Your work may have appeared elsewhere.Publications asking for one-time rights require that you letthem use your work once. It may or may not have been publishedbefore and you are free to use it after publication.
* First Serial Rights: These usually pertain to some country.For e.g., First North American Serial Rights, or First BritishSerial Rights. Although the article mustn't have been publishedin the country prior to this, you are free to submit elsewhereafter publication.
Now that you're armed with the basic knowledge, you're all setto go out into the big, bad world of publishing, and show themwhat you've got. Good luck!
For freelancers, [url=http://www.corsodiesperanto.it/moncleroutlet/]www.corsodiesperanto.it/moncleroutlet/[/url] knowing the basic terminology "before" theybegin can be a valuable lesson in earning a few extra dollars inthat initial stage. When I started my freelancing career, I knewnothing of rights, simultaneous submissions, querying or varyingpayment rates. All I knew was-- I could write. Everything else,I learnt on the job. You will too. But just to make your stay alittle less frustrating, and a lot more enjoyable, I've listed afew concepts that will help you immensely as you contact editorsand try to make them pay you for your words.
Expenses --------- For your article, you may have to interview asubject. In some cases, you may have to make long-distance callsor spend a few bucks on travel, lunches and other expenses. Allsuch expenditures incurred for the assignment are usually paidfor by the publication. You should be very clear on this beforeyou get on the assignment. Usually, editors will agree toreasonable expenditure refunds.
Lead Time ----------- A magazine usually asks writers to submittheir work well in advance so that there are no last-minutegoof-ups. Magazines, especially reputed ones, cannot [url=http://www.tagverts.com/barbour.php]barbour deutschland[/url] riskdelaying an issue because of a single writer. This period isusually termed as lead-time. Although most magazines have leadtimes of approximately three months, many have periods of morethan [url=http://www.tagverts.com/barbour.php]barbour online shop[/url] six months.
If you haven't been published, you'll still need to send insamples of your writing. For this, write out an article or tworelated to the subject of the magazine, and send them off withyour query.
Kill [url=http://www.sidegemeinde.com/peutereyoutlet.php]peuterey outlet[/url] Fees ----------- Editors are always "killing" articles thatthey've assigned. To the writer, this could mean wasted time, aswell as money. To reimburse the writer for her research andhours put in, magazines usually have a 20-50% kill fee. Simplyput, if your query has been accepted, but your article isn'tpublished for some reason, you'll be given a kill fee for yourwork.
Bios and Photos ----------------- Haven't you sometimes noticedhow the author's picture or contact information appearsalongside the article? Yours could too. Although this isn'talways done, sometimes editors may agree to put up a photo or ashort bio beside your article. It never hurts to ask.
* CD-ROM Rights: A fairly new addition to the list of rights,this means that the publication is free to use your work on aCompact Disk.
Clips ------- When you write a query, the editor wants to seemore than just a good idea. She wants to know whether you can doit justice, whether you'll be able to carry it through or not.For this, she needs to see samples of your writing. Publishedsamples are termed as clips. Simply stated, you photocopy thepages of approximately three magazines [url=http://www.corsodiesperanto.it/hoganit.html]www.corsodiesperanto.it/hoganit.html[/url] in which your articleshave appeared and send them to the editor.
* All Rights: This means that the article must not have beenpublished before, and cannot be used again after it has beenpublished in this particular publication. Never give up allrights for a measly sum of money. If you're selling all rights,make sure you're being paid what you deserve.
Rights -------- Earlier, magazines [url=http://www.riad-marrakesh.fr]www.riad-marrakesh.fr[/url] asked for all rights toarticles. Even [url=http://www.sandvikfw.net/shopuk.php]hollister sale[/url] today, in many countries, including my own(India), most magazines want to keep all the rights ensuringthat the articles in their magazine remain unique to them.However, this trend no longer exists [url=http://www.shewyne.com/woolrichoutlet.html]woolrich outlet[/url] in America, Canada andEngland, and is making headway into other nations as well. Now,almost all magazines in these nations refrain from asking forall rights to the work. Others have opened their doors forreprints, which is a boon for writers. Let's look at some of thedifferent kinds of rights.
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